All That Is Solid

by Sam Friedman


 

All that is solid

melts into air,

the woods I played in

with Tom and Geoff—

cleared, cut, erected, sold;

the slide rules we played like tubas—

now antique curiosities

like the mechanical calculators

which kerchunged kerchung whirr kerchunged

when we divided one by zero

six machines at a time.

The Thousand Year Reich,

the eternal Cold War,

even the Empire on which the sun never set

now melted into air, less solid

than the smog

which may itself melt.

Job security,

social safety nets,

freedom from search or seizure,

every privacy,

melt into memories

until these memories also melt.

Mighty Woolworth's, mecca for toys and trinkets,

then for months of picketing

so that all could eat a solid meal

at those omnipresent stores,

now merely air,

less solid than the thinning soup

of a worker's lunch.

The certainties of an unchanging world

eroded by the unceasing search for a bottom line,

homes tended 9 to 5 by mommies, then ruled 5 to 9

by fathers of certain authority,

America as the icon of freedom

and defender of liberty—

all melted,

all merely the molten myths of reminiscence.

Only the eternal verities remain,

verities eternal for three centuries

or even less,

verities like a world ruled by clocks

(even though their hands, big and small, have melted into electronic digits),

like obeying bosses in return for paychecks

(now the electronic image of direct deposit),

like lives of exploitation

in a world where races are ordered,

layered,

know who's boss.

These verities have remained,

contents solid though their decorations changed—

working for pay,

white power,

corporate profits as the Great Helmsman,

all remain solid,

seem eternal.

But these centuries-old eternals

now hover in the air,

ripe for melting,

ripe for removal

by the angry hopes and remembered dreams

of workers, families, humanity

who reject being melted,

who choose not to become

airified,

who revolt out of love

 

for a past,

 

for a future.

 

to Autumn Leaves, an online poetry journal
volume 10(6)
This poem is copyright © 2006, Sam Friedman, all rights reserved.
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